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Jan van Goyen
Dutch Baroque Era Painter, 1596-1656 Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings.

 

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Jan van Goyen Farmyard with Haystack oil painting

Painting ID::  10172

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Jan van Goyen
Farmyard with Haystack
Oil on wood Residenzgalerie Salzburg
   
   
     

 

 

Jan van Goyen Haymaking oil painting

Painting ID::  10173

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Jan van Goyen
Haymaking
Oil on wood, 31,5 x 50,5 cm Pushkin Museum Moscow
   
   
     

 

 

Jan van Goyen Landscape with Dunes oil painting

Painting ID::  10174

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Jan van Goyen
Landscape with Dunes
1630-35 Oil on panel, 54 x 37,5 cm Kunsthistorisches Museum, Vienna
   
   
     

 

 

Jan van Goyen Marine Landscape with fishermen oil painting

Painting ID::  10175

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Jan van Goyen
Marine Landscape with fishermen
Oil on wood 36,1 x 32,2 cm Museum of Fine Arts, Budapest
   
   
     

 

 

Jan van Goyen Peasant Huts with Sweep Well oil painting

Painting ID::  10176

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Jan van Goyen
Peasant Huts with Sweep Well
1633 Oil on oak, 55 x 80 cm Gemaldegalerie, Dresden
   
   
     

 

 

Jan van Goyen River Landscape with a Windmill and Ruined Castle oil painting

Painting ID::  10177

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Jan van Goyen
River Landscape with a Windmill and Ruined Castle
1644Oil on canvas 97x133 cmLouvre
   
   
     

 

 

Jan van Goyen A View on the Maas near Dordrecht oil painting

Painting ID::  10178

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Jan van Goyen
A View on the Maas near Dordrecht
1643Oil on canvas 101,5 x 183,5 cm The Hermitage, St. Petersburg
   
   
     

 

 

Jan van Goyen View of Merwede before Dordrecht oil painting

Painting ID::  10179

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Jan van Goyen
View of Merwede before Dordrecht
Oil on wood Rijksmuseum Amsterdam
   
   
     

 

 

Jan van Goyen Village at the River oil painting

Painting ID::  10180

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Jan van Goyen
Village at the River
1636Wood, 39,5 x 60 cm Alte Pinakothek, Munich
   
   
     

 

 

Jan van Goyen Beach at Scheveningen oil painting

Painting ID::  10181

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Jan van Goyen
Beach at Scheveningen
1646Oil on canvas 92,1 x 108 cm Thyssen- Bornemisza Collection,Madrid
   
   
     

 

 

Jan van Goyen Horse Cart on a Bridge oil painting

Painting ID::  10182

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Jan van Goyen
Horse Cart on a Bridge
1648 Oil on wood, 37 x 66 cm Alte Pinakothek, Munich
   
   
     

 

 

Jan van Goyen River Scene oil painting

Painting ID::  10183

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Jan van Goyen
River Scene
1652 Oil on canvas, 66,7 x 98 cm Wallraf-Richartz Museum, Cologne
   
   
     

 

 

Jan van Goyen Jan van Goyen oil painting

Painting ID::  10184

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Jan van Goyen
Jan van Goyen
16 Seashore at Scheveningen 1645Oil on wood 53 x 71 cm The Hermitage, St. Petersburg
   
   
     

 

 

Jan van Goyen View of Dordrecht oil painting

Painting ID::  10185

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Jan van Goyen
View of Dordrecht
1644Oil on canvas 97 x 148 cm Musees Royaux des Beaux-Arts, Brussels
   
   
     

 

 

Jan van Goyen View of Leiden oil painting

Painting ID::  10186

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Jan van Goyen
View of Leiden
1650Oil on canvas Stedelijk Museum De Lakenhal, Leiden
   
   
     

 

 

Jan van Goyen Landscape with Dunes (mk08) oil painting

Painting ID::  21722

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Jan van Goyen
Landscape with Dunes (mk08)
c.1630-1635 Oil on panel. 54x37.5cm Vienna,Kunsthistorisches Museum
   
   
     

 

 

Jan van Goyen River Landscape (mk08) oil painting

Painting ID::  21723

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Jan van Goyen
River Landscape (mk08)
1636 Oil on panel 39.5x60cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
   
   
     

 

 

Jan van Goyen Landscape with Dune oil painting

Painting ID::  33690

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Jan van Goyen
Landscape with Dune
mk86 c.1630-1635 Oil on panel 54x37.5cm Vienna,Kunsthistorisches Museum
   
   
     

 

 

Jan van Goyen River Landscape oil painting

Painting ID::  33691

X 
 

Jan van Goyen
River Landscape
mk86 1636 Oil on panel 39.5x60cm Munich,Bayerische Staatsgemalde-sammlungen, Alte Pinakothek
   
   
     

 

 

Jan van Goyen View of Dordrecht across the river Merwede oil painting

Painting ID::  39678

X 
 

Jan van Goyen
View of Dordrecht across the river Merwede
mk150 1644 Canvas 103.5x133cm
   
   
     

 

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Jan van Goyen
Dutch Baroque Era Painter, 1596-1656 Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings.